The Fitzrovia Radio Hour are a company that have been producing live versions of 40s and 50s style radio broadcasts – complete with traditional sound effects produced on stage – since 2008. They’ve come together with Colchester’s Mercury Theatre to produce a version of Dracula that’s a fantastic piece of stage comedy.
We’re invited in as the studio audience to watch a BBC radio production of Dracula. The company’s lead performer, Mr Starkey (perhaps better known to my readers as Doctor Who‘s Strax) helps set the scene for us. Some of the regular repertory company’s finest performers will be presenting us with a dramatic presentation of Bran Stoker’s Dracula, and to add some verisimilitude to the performance a real-life Romanian aristocrat, Count Alucard, will be playing the part of Dracula. Meanwhile, outside the studio, Britain is about to be battered by violent storms accompanied by thunder and lightning, and a number of mysterious deaths have been occurring in the vicinity of Broadcasting House…
What follows is two stories in one: the adaptation of Dracula being performed with all the plum tones and ham acting one expects from early radio drama; and the events going on inside the studio as members of the company renew old feuds and start new flirtations, cues are missed, sound effects are generated, and Count Alucard’s behaviour becomes increasingly harder to explain as method acting.
The whole thing comes together to produce a wonderfully funny performance and the cast are all superb in their roles, bringing some perfect comic timing (including some wonderfully comedic pauses in the delivery) and interaction with the audience. My only complaint would be that there are so many different things happening on stage at various times it’s hard to be sure that you’re experiencing everything that’s going on – while your attention is focused on the performers at the main microphone, something else could be going on at the effects table at one side of the stage and with the piano player at the other. It’s all expertly put together, and the escalating level of farce is carefully managed to not overwhelm the story.
I’d definitely recommend going to see this if you can – it’s on at the Mercury until the 15th November (go here to book tickets and find out more) and I don’t know if it will have performances anywhere else afterwards, or if it will just be a little theatrical gem for us in the East to tell you all about.